On music consumption and artist rights

Passionate about music or not, this is a debate you need to be a part of.. myths debunked, statistics explained, perspective attained:

Letter to Emily White at NPR All Songs Considered:                                   http://thetrichordist.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/

Rather than using our morality and principles to guide us through technological change, there are those asking us to change our morality and principles to fit the technological change–if a machine can do something, it ought to be done.

On Spotify and Music Consumption:                                                                   http://lowerdens.com/2012/10/25/on-spotify-and-music-consumption/

Music shouldn’t be free. It shouldn’t even be cheap. If you consume all the music you want all the time, compulsively, sweatily, you end up having a cheap relationship to the music you do listen to.

In turn, this kind of market makes for musicians who are writing with the burden of having to get your attention, instead of writing whatever they’d write if they were just following artistic impulses. It’s increasingly difficult and un-rewarding to write music that is considered, patient, and simple* when the market increasingly demands music that is easy, thoughtless, and careless.

Recorded music revenue is down 64% since 1999.

Per capita spending on music is 47% lower than it was in 1973!!

The number of professional musicians has fallen 25% since 2000.

Of the 75,000 albums released in 2010 only 2,000 sold more than 5,000 copies. Only 1,000 sold more than 10,000 copies. Without going into details, 10,000 albums is about the point where independent artists begin to go into the black on professional album production, marketing and promotion.

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